''Hiroshima Mon Amour'', 1959, movie poster paint by Boris Grinsson is a painting by Movie World Posters which was uploaded on October 24th, 2022.
''Hiroshima Mon Amour'', 1959, movie poster paint by Boris Grinsson
Base painting of the vintage movie poster for ''Hiroshima Mon Amour'', 1959.
Base art is the poster artwork after the text has been digitally... more
Title
''Hiroshima Mon Amour'', 1959, movie poster paint by Boris Grinsson
Artist
Movie World Posters
Medium
Painting - Movie Posters
Description
Base painting of the vintage movie poster for ''Hiroshima Mon Amour'', 1959.
Base art is the poster artwork after the text has been digitally removed.
About the artist:
Boris Grinsson (1907, Pskov, Russia, - 1999, Paris) was a designer of Russian origin who lived and worked in France. For about 30 years of his career, from the 1940s to the 1970s, he painted more than 2000 posters for the French cinema circuit, becoming extremely popular among film directors.
After studying at the Academy of Fine Arts in Estonia, where the family moved to escape the Russian Revolution, the artist reached Berlin and enrolled in Decorative Arts. Grinsson immediately started working in cinema at the UFA studios in Balberg and soon began designing posters for the Paramount and MGM. He worked among the many directors, including Alfred Hitchcock, Luis Buñuel, Billy Wilder, Alain Resnais, and Luchino Visconti.
His designs were also particularly controversial. In 1932 he drew a polemic caricature of Adolf Hitler. As a result, he was forced to move to Paris to escape the Nazi regime. Nevertheless, he continued to create the French versions of many famous movie posters in France.
Grinsson’s painting style for posters is characterized by his peculiar treatment of colors. If compared with the style of Italian designers, for example, his portraits appear somewhat schematic. Rather than using strong contrasts between light and shadow, Grinsson
modulated his figures with bold flat planes of colors and cool and defined outlines.
His posters often look like works of modern art rather than traditional sketches. Even the color palette is somewhat restricted, preferring different shades of yellows, greens, blues. However, the chromatic and formal restriction of Grinsson’s style is not to be seen as a limitation but as a legacy of the lithography technique that dominated German design until the early 1960s. A historical and peculiar element that distinguishes its very different and endless production.
Search “Grinsson” to see more of his art.
Uploaded
October 24th, 2022
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